'Nothing Gold Can Stay' by American composer Pasquale J.

'Nothing Gold Can Stay' by American composer Rick Sowash, a choral setting of the poem.'Nothing Gold Can Stay' by American composer Lelia Molthrop Sadlier, a choral setting of the poem.'Nothing Gold Can Stay' by Canadian composer Nick Peros, a vocalist setting of the poem.'Nothing Gold Can Stay' by Canadian composer Kenley Kristofferson, a choral setting of the poem.'Nothing Gold Can Stay' by American composer Christopher Kalstad, a choral setting of the poem.

'Nothing Gold Can Stay' by American composer Timothy P.

'Nothing Gold' by American composer Alva Henderson, a solo for baritone accompanied by piano.

'Nothing Gold Can Stay' by American composer Stephen DeCesare, a chorale set to the poem's lyrics.

'Nothing Gold Can Stay' by American composer Steven Bryant, an instrumental chorale inspired by the poem.

'Nothing Gold Can Stay' by American composer Cecil William Bentz, a choral setting of the poem in his opus, 'Two Short Poems by Robert Frost.'.

'Nothing Gold Can Stay' by American composer William Thayer Ames, a choral setting of the poem.

Bagby wrote the poem 'projects a fairly comprehensive vision of experience' in a typical but 'extraordinarily compressed' example of synecdoche that 'moves from a detail of vegetable growth to the history of human failure and suffering.' Musical adaptations Pritchard called the poem's 'perfectly limpid, toneless assertion' an example of Frost demonstrating how 'his excellence extended also to the shortest of figures', and fitting Frost's 'later definition of poetry as a momentary stay against confusion.'

Rea wrote about the poem's ' alliterative symmetry', citing as examples the second line's 'hardest – hue – hold' and the seventh's 'dawn – down – day' he also points out how the 'stressed vowel nuclei also contribute strongly to the structure of the poem' since the back round diphthongs bind the lines of the poem's first quatrain together while the front rising diphthongs do the same for the last four lines. Ferguson wrote of the poem, 'Perhaps no single poem more fully embodies the ambiguous balance between paradisiac good and the paradoxically more fruitful human good than 'Nothing Gold Can Stay,' a poem in which the metaphors of Eden and the Fall cohere with the idea of felix culpa.' New Hampshire also included Frost's poems ' Fire and Ice' and ' Stopping by Woods on a Snowy Evening'.Īlfred R. The poem lapsed into public domain in 2019. It was later published in the collection New Hampshire (1923), which earned Frost the 1924 Pulitzer Prize for Poetry. ' Nothing Gold Can Stay' is a short poem written by Robert Frost in 1923 and published in The Yale Review in October of that year.

Gold poem from the outsiders